Cathy Horyn is The Cut’s fashion critic-at-large. Before joining The Cut in 2015, she was fashion critic at the New York Times (the second person to ever have the title) from 1999 to 2014.
Pieter Mulier’s Final Alaïa ShowThe clothes were comprehensible, grounded in reality—in fact, the kind that would catch your eye on the street.
paris fashion week
A Sharp, Clear Vision at DiorJonathan Anderson took some of his debut collection’s girlie shapes and some of couture’s pomp and smoothly combined them.
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A Mixed-Up Bottega Veneta ShowThe problem is Louise Trotter, Bottega’s new designer, does not appear to have a plan for brand.
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Demna’s Gucci Has a Blunt StartThe designer’s grasp of a changing audience is already causing me to question things I see on other runways.
milan fashion week
At Prada, a Spectacular Lesson in LayeringMiuccia Prada said about styling 15 models in 60 looks, “It’s personality, sentiments, and sexuality. She lives them together, in a day, in a life.”
American Fashion, From a DistanceIn one way or another, the shows on Friday spoke to the influence of New York on designers’ imaginations.
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Michael Kors Hits His StrideThe collection was one of the designer’s best in a while because it was clear and concise in its point of view and relevant in terms of style.